Application
Apply for sync representation.
Join the waiting list.
Three ways to work with us — non-exclusive (60/40), exclusive (70/30), or exclusive with US publishing (75/25 on sync plus 80/20 on US publishing collections). All three keep your writer’s share, keep your publishing ownership, never retitle, and take nothing from a sync you land yourself. Compare them on the artist page before you send this, and if you’re not sure which one fits, say “not sure” below and we’ll help you decide. This is a short form — we would rather listen to your music than read a questionnaire. Applying commits you to nothing; no agreement is in force until you sign one.
Three ways to work with us — non-exclusive (60/40), exclusive (70/30), or exclusive with US publishing (75/25 on sync plus 80/20 on US publishing collections). All three keep your writer’s share, keep your publishing ownership, never retitle, and take nothing from a sync you land yourself. Compare them on the artist page while you wait — the artists who move fastest when applications open are the ones who already know which tier fits. Joining the list commits you to nothing; no agreement is in force until you sign one.
Applications are closed. Join the waiting list to be notified when they reopen.
Seven fields, about two minutes. No uploads, no split sheets, no rights questionnaire. Send us a link and we will listen. If we want to work together, you get an account where you add songs one at a time and the paperwork happens there — at your pace, saved as you go.
What we will eventually need per song — not today
Nothing here is part of this form. It is what a buyer asks for while the window is still open, and what you will work through song by song in your account if we sign you. It is here so that nothing later comes as a surprise.
- WAV, 24-bit / 48 kHz minimum.
- An instrumental version is required. No exceptions — ad work needs beds under voiceover.
- Stems are strongly requested. Not required, but tracks with stems get pitched more, because agencies need edit flexibility.
- Alternate lengths welcome and advantageous: :60, :30, :15.
- Lyrics (for vocal tracks).
- Cover art.
- Signed work-for-hire agreements, where anyone else played on it. Session musicians, producers, featured performers — whoever contributed without a writing share. A buyer’s legal team asks who else could surface later, and having these on file is the difference between answering in an hour and losing the window.
- A complete split sheet — every writer with PRO affiliation and IPI number, splits summing to exactly 100%, publisher rows where applicable, plus ISRC and ISWC where they exist. Use our generator if you need one.
Want to know now whether a specific song is ready? Run it through the one-stop self-audit — thirteen questions, browser-only, nothing sent to us. And the split sheet generator is free whether or not you ever apply.
We take applications in limited intakes so that every one of them gets read properly rather than queued. This one has closed.
Leave your details and you will get an email with the link when the next intake opens, before it goes out anywhere else. It takes a minute and commits you to nothing. In the meantime, read the terms in full — the artists who move fastest when applications open are the ones who already know whether the deal suits them.
Forget your troubles and just get happy.“Get Happy” · Ted Koehler & Harold Arlen, 1930 · public domain
You better chase all your cares away.